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By improving the blending between the frames, the stitched panorama will appear more natural, resulting in a higher quality image.
BEST PANORAMA STITCHER RAW SOFTWARE
When you make the frames look the same, you help the panorama stitching software to blend them. I can reduce the exposure for the other frame to bring it into line. In this example the key image frame is obviously darker than the other. If you notice obvious differences you should adjust the colours and/or exposure to bring them into line.
![best panorama stitcher raw best panorama stitcher raw](https://najde-pujde.net/lsonsn/VbK87DnMI8v7-7mY2rVUyQHaE-.jpg)
Check this by displaying the two images side by side on the screen. The two images now look similar in terms of colour and exposure. Other RAW converters like Lightroom may have a feature to synchronise the adjustments across all selected images. In Capture One you can do this by copying the adjustments to the Adjustment Clipboard, selecting the other image(s) and then pasting them. Once you have your key frame looking good it’s a matter of applying the same adjustments to the other frames in your panorama. After this I refine the exposure for the image by opening the shadows and reducing the highlights. I’m also applying a new film curve (this is like a camera profile in Lightroom) before adjusting the colour temperature of the image. You might not find this for the images you’re stitching but it’s worth testing which gives the best results. The stitching process in Affinity Photo appears to handle the image better without the distortion correction. I shot the image using a Fuji 16-80 lens which has quite a lot of distortion. In this example I started by removing the lens distortion correction. I switched to Capture One as my RAW developer of choice for Fuji RAW files around 6 months ago and I’m very impressed by the results. Although Affinity Photo contains an excellent RAW converter, I’ve chosen to develop this image using Capture One.